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Teaching rounds

  • Be positive and supportive
  • Teach the round in small musical sections
  • Isolate the hard parts
  • Volunteer assistance to the group (but not to an individual!)
  • Use your hand to indicate relative pitch while teaching
The most important part of teaching rounds is to make sure that no one feels too rushed or left out. Many people are very shy about singing, and nervous about their voices. Be encouraging, try to find leaders who know the round and can help on each part to be a strong anchor for the others. Remember that people often have trouble following voices singing in a different octave (it is hard for males to follow females, and vice versa.)

Break up long rounds into smaller pieces, and sing those pieces over and over. Be sure to sing the pieces together, too, so people don't get lost when they try to remember which line comes next. It can be helpful to teach the first line ("A"), singing it over and over again. Then transition to the second ("B"), and, after B is somewhat learned, start singing A and B together. Do similarly with the remaning lines.

Never hesitate to go over rough spots, and try to encourage your singers to be willing to ask that one part be sung in isolation. It can be hard to hear a tune when multiple people are singing it, so ask that only one person demonstrate a line or a new round.

Listen to the group; if they are having difficulty on a section, and haven't asked for assistance yet, offer it. But always be positive and encouraging.

Don't assume that sheet music is required: our group didn't have sheet music for the first year or two, and even now we learn most rounds without music.

Use your hand to indicate relative intervals between the notes. This doesn't have to be an exact science but, especially if you don't have sheet music, or have people who cannot read music, it lets them know approximately where the current note is, relative to the last one. Hold it flat horizontally, and use it like a note on a large staff. This is often very helpful in fast runs, where you're not always sure whether you should be ascending or descending at the moment. It is also helpful when you're teaching a lot of people, since, in the cacaphony of everyone trying to learn the round, it can be hard to hear your correct notes over the incorrect notes.

If you have access to sheet music, a piano, or a recording of the round, don't hesitate to use them. Sheet music helps anyone who can read music, a piano can clarify the spots where your own voice may be uncertain or unclear (especially in sections with many half steps and accidentals), and a recording can help people know what the round will sound like when they're done.

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  Melissa D. Binde [ ]